01
Find the
problem.
The brief and the problem aren’t always the same thing. Strip away the noise and solve what actually matters.
CREATIVE / 14.5995° NDIRECTION / 120.9842° E
SCROLL TO MOVE THROUGH THE WORK
Designer bytrade.Problem solverby instinct.
SCROLL TO ENTER
I shape ideas into identities, campaigns, and digital experiences that look sharp, work hard, and hold up in the real world.
I turn loose thoughts and questionable briefs into work with a reason for being there.
TOOLS CHANGE · THE STANDARD SHOULDN’T ·
01 / SELECTED WORK
Manila made.
Seen out West.
I’ve worked from Manila to Los Angeles, Las Vegas, and across the wider West Coast—bringing the same standard to brands, campaigns, and digital experiences in every market.
01—05
KEVIN
DURANT
HIDDEN HILLSCAMPAIGN WORK
RICK
ROSS
ART DIRECTIONCAMPAIGN
JOHNNY
DANG
HIDDEN HILLSCAMPAIGN WORK
LEFTY
GUNPLAY
VISUAL DESIGNCAMPAIGN
OUT
WEST
LOS ANGELES · LAS VEGASSELECTED WORK
02 / RELATIONSHIPS
Worked with.
Worked for.
A working archive of teams, brands, and businesses that trusted the process—and expected the work to hold up.
03 / CAPABILITIES
How I earn
my keep.
From the first loose thought to the final exported file, the work moves across direction, design, technology, production, and the people making it happen.
04 / METHODOLOGY
Three moves.
No mystery.
Understand the real problem, make something worth caring about, and use experience where it actually helps.
Find the
02
Make it worth
a damn.
Strategy gives the work purpose. Craft makes it impossible to ignore. Tools change; the standard shouldn’t.
03
Trust the
scars.
Briefs, deadlines, revisions, good calls and bad ones eventually become judgment. Don’t pay twice for old mistakes.
05 / KEEP MOVING
Let’s makethe next big thing.
For projects, collaborations, and unlikely ideas.JUSTINE@INDIEGROUND.CO